Event Details

The award-winning Fullerton College Big Band and J-Train Vocal Jazz Ensemble are honored to share the stage with internationally-known jazz legends, Tierney Sutton and Christian Jacob.

8-time Grammy-nominated jazz vocalist Tierney Sutton has received a “Best Jazz Vocal Album” Grammy nod for every project she has released in the last decade. Known for her impeccable voice and imaginative treatments of The Great American Songbook, Sutton is heralded for her abilities as both a jazz storyteller and her ability to use her voice as an instrument. Her 12 recordings as leader have addressed themes such as materialism (“Desire” 2009), the pursuit of happiness (“On The Other Side” 2007), as well as paying tribute to the music of Bill Evans (“Blue In Green” 2002), Frank Sinatra (“Dancing In The Dark” 2004), and pop icon Sting (“The Sting Variations” 2016). Her 2013 Joni Mitchell tribute, “After Blue” featured keyboardist Larry Goldings, drummer Peter Erskine, jazz vocal legend Al Jarreau, and NEA Jazz Master flautist Hubert Laws.

In May 2016 Tierney was approached by legendary Director Clint Eastwood. The original score to his box-office smash, “Sully”, was created by Tierney Sutton Band pianist, Christian Jacob, The Tierney Sutton Band and Clint Eastwood. The end-title song “Flying Home” features music by Eastwood and lyrics by Tierney Sutton and JB Eckl. It is performed by Tierney Sutton and The Tierney Sutton Band.

Christian Jacob first gained widespread exposure as co-leader, arranger and pianist with the Tierney Sutton Band. While recording eight critically acclaimed CDs with the band Christian also built a substantial career as a solo artist and leader. He has arranged and conducted around the world, performing with big bands, symphonies and even with the King of Thailand.

Born in Lorraine, France, Christian Jacob began playing classical music at age 4 and became immersed in the music of Claude Debussy and Maurice Ravel, whose harmonic universe was influential on jazz. "I was 9 or 10 when I discovered jazz," Christian reminisces, "and the very first thing that appealed to me was the harmony, the chords”. “The first time I heard Oscar Peterson, I kept going to the store to order the part, of course I never received it; later, when I learned it was improvised, I couldn't believe it”.